Every generation of Black Americans has fought a version of this war, and every generation has lost it in the same way: by confusing the battlefield with the bridge. The older generation looks at sagging pants and sees self-destruction, a deliberate rejection of the presentation standards that they believe — with evidence they can cite from their own lives — made their success possible. The younger generation looks at dress codes and sees subjugation, another demand that Black people contort themselves into forms acceptable to a white gaze that will find reasons to reject them regardless. Both sides are partially right. Both sides are catastrophically incomplete. And the children caught between them — the ones who must actually navigate the American economy, the job interview, the first day at a firm where nobody looks like them — are left without the one thing they need most: a framework for strategic self-presentation that is honest about the world as it is, unapologetic about the self as it exists, and ruthlessly effective at converting appearance into advantage.

This is not an essay about whether you should pull up your pants. It is an essay about the psychology of first impressions, the economics of appearance, the research on code-switching, the cost of respectability politics, the cost of ignoring what research shows about how appearance functions in economic contexts, and the Japanese concept of honne and tatemae that might be the most useful framework any of us has for understanding how presentation operates in every culture on Earth, including our own. The stakes are higher than sagging pants. The stakes are economic mobility, career advancement, and the capacity to navigate a system that was not designed for you without losing yourself in the process.

The Seven-Second Window

The research on first impressions is unambiguous, and it operates on a timeline that is brutal in its brevity. Alexander Todorov at Princeton has demonstrated that people form judgments of competence, trustworthiness, and likability within milliseconds of seeing a face — faster than conscious thought, faster than any rational evaluation, faster than the person being judged has opened his mouth. These judgments, once formed, are remarkably resistant to revision. They function as cognitive anchors that shape every subsequent interaction, and they are not merely aesthetic preferences. Todorov’s research has shown that snap judgments of competence based on facial appearance predict the outcomes of political elections with accuracy rates significantly above chance. We are, as a species, compulsively and irrationally responsive to visual information, and we process that information before we have decided to process it.

Morris, E. W. "From Middle Class to Made in the USA: Real Men, Efficiency, and Engineering Identities." Men and Masculinities, 7(4), 357–376, 2005.

Clothing extends this calculus beyond the face. The research on clothing and social perception, conducted across decades and across cultures, shows that what a person wears functions as a signal — not of who they are, but of what social group they belong to, what norms they adhere to, and what level of investment they have made in the interaction. A suit in a business context signals not wealth but awareness — awareness of the norms of the environment, awareness of the expectations of the audience, and a willingness to invest effort in meeting those expectations. The signal is imperfect. It is unfair. It is shot through with class assumptions and cultural biases that penalize people who lack the resources or the exposure to know what the expected signals are. And it is real. Pretending it is not real does not make it less real. It makes you less prepared.

Daniel Hamermesh, an economist at the University of Texas, published Beauty Pays, a comprehensive analysis of the economic returns to physical attractiveness, including dress and presentation. His research documented that well-presented individuals — those who conformed to context-appropriate appearance norms — earned a significant premium over their careers, a premium that compounded over decades into hundreds of thousands of dollars in lifetime earnings differences. The premium was not fair. Hamermesh himself acknowledged that it represented a form of discrimination. But it was measurable, it was consistent, and it operated regardless of whether the individual being evaluated considered it legitimate.

Hamermesh, D. S. "Beauty Pays: Why Attractive People Are More Successful." Princeton University Press, 2011.
“The question is not whether we should have to dress a certain way. The question is whether knowing how appearance functions in economic contexts gives us power we did not have before, and the answer is yes.”
— Devon Franklin, The Truth About Men

The Trap of Both Sides

The respectability politics position — the position of the older generation, of the church mother, of the uncle who made it out and believes his suit was the reason — contains a truth and a distortion. The truth is that appearance functions as a signal in economic contexts, that conforming to context-appropriate norms reduces friction, and that reducing friction increases the probability of positive outcomes. The distortion is the implication that appearance is the primary barrier, that if Black people simply dressed better, spoke differently, and presented themselves in ways that white institutions found comfortable, the doors would open. This is demonstrably false. Resume audit studies show that identical resumes with Black-sounding names receive fewer callbacks than those with white-sounding names. The person whose resume is rejected never got to the interview. The suit in his closet is irrelevant.

The anti-respectability position — the position of the younger generation, of the cultural critic, of the academic who has correctly identified respectability politics as a mechanism of victim-blaming — also contains a truth and a distortion. The truth is that policing Black appearance is dehumanizing, that it places the burden of racism on the people who experience it rather than the people who practice it, and that no amount of wardrobe adjustment will eliminate discrimination. The distortion is the implication that because appearance should not matter, it does not matter, and that any acknowledgment of the strategic function of presentation is a capitulation to white supremacy. This position has the moral clarity of a principle and the practical utility of a wish.

“Policing Black appearance is dehumanizing. And pretending that appearance does not function as an economic signal is naive. Both truths must be held at once.”

The children caught between these positions — the young Black man preparing for his first job interview, the young Black woman navigating a corporate culture she did not design — need neither the uncle’s triumphalism nor the professor’s critique. They need information. They need to know, as a matter of fact rather than ideology, how appearance functions in the specific contexts they will inhabit, and they need the agency to decide, for themselves, how they will navigate those contexts. Agency requires knowledge. It does not require agreement. You can understand that appearance functions as a signal in economic contexts and still fight to change a system that should not require the signal. But you cannot fight effectively if you are economically marginalized, and you cannot avoid economic marginalization if you refuse, on principle, to learn how the economy evaluates you.

The Cost of Code-Switching

Code-switching — the practice of adjusting one’s speech, behavior, and presentation to conform to the norms of different social contexts — is one of the most exhaustively studied phenomena in the sociology of race in America, and the research reveals both its utility and its toll with uncomfortable precision.

McCluney, C. L., Robotham, K., Lee, S., Smith, R., & Durkee, M. "The Costs of Code-Switching." Harvard Business Review, November 2019.

Courtney McCluney and her colleagues documented the psychological costs of code-switching in professional settings: increased cognitive load, emotional exhaustion, a sense of inauthenticity that corrodes self-concept over time, and the particular fatigue of maintaining a performance that you know is not you but that you also know is necessary. Black professionals who code-switch extensively report higher levels of burnout, lower levels of job satisfaction, and a chronic tension between professional success and personal identity that their white colleagues do not experience because their natural presentation already aligns with the institutional norms they are navigating.

But the same research shows that Black professionals who code-switch are more likely to be hired, more likely to be promoted, and more likely to report positive relationships with superiors and colleagues. The utility is real. The cost is real. And the decision about whether the utility justifies the cost is intensely personal, dependent on individual values, career goals, economic circumstances, and tolerance for the cognitive and emotional burden that the practice imposes.

Carbado, D. W., & Gulati, M. "Acting White? Rethinking Race in Post-Racial America." Oxford University Press, 2013.

Devon Carbado and Mitu Gulati, in Acting White?, argue that the demand to code-switch is itself a form of workplace discrimination — an “identity tax” levied exclusively on employees whose natural presentation does not conform to institutional norms that are themselves products of white cultural dominance. Their argument is legally and morally sound. And it does not help the twenty-two-year-old Black man who has a job interview on Monday and needs to know what to wear. The moral argument and the practical need exist in different timeframes. The moral argument operates on the scale of institutional change, which takes years or decades. The practical need operates on the scale of next Monday, which takes five days.

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Honne and Tatemae: The Japanese Framework

There is a concept in Japanese culture that may be more useful to this conversation than any concept that has emerged from the American debate, precisely because it comes from outside the American racial context and therefore carries none of the ideological baggage that makes the American conversation so unproductive. The Japanese distinguish between honne — one’s true feelings, one’s authentic self, the person you are when no performance is required — and tatemae — the public face, the presentation you offer in social contexts, the version of yourself that is calibrated to the expectations of the audience and the demands of the situation.

In Japanese culture, tatemae is not considered dishonest. It is not considered a betrayal of honne. It is considered a social skill — a form of sophistication that demonstrates awareness of context, respect for the people you are interacting with, and the maturity to understand that not every situation requires or benefits from unfiltered self-expression. The maintenance of tatemae is not self-suppression. It is strategic communication. And the person who is skilled at it is not considered fake. He is considered competent.

Apply this framework to the dress code debate and the entire conversation transforms. The question is no longer “Should I have to dress differently to succeed?” — a question that invites ideology and produces paralysis. The question becomes “What does this context require, and how do I meet that requirement while preserving my honne?” — a question that invites strategy and produces agency. The suit is not capitulation. It is tatemae. It is the public face you present in a context where that face serves your interests. And the moment the context changes — when you leave the office, when you are with your people, when you are in a space where the performance is not required — you return to honne, to the authentic self that was never lost, because it was never the suit. It was never the speech pattern. It was never the presentation. It was the person underneath, who is strategic enough to use presentation as a tool and wise enough to know that the tool is not the identity.

“The suit is not capitulation. It is strategy. And the person who wears it to the interview and changes at the cookout has not lost himself. He has mastered the game while remaining himself.”

How Successful Black Professionals Navigate

The most successful Black professionals in America, the ones who have reached the C-suite, the partnership, the tenured chair, do not fit neatly into either side of the respectability debate, because their actual practice is more nuanced than either side’s ideology permits. They code-switch, but they do it selectively. They conform to presentation norms, but they push back on those norms as their power increases. They understand the game, they play it, and they work to change it — simultaneously, not sequentially, because waiting until you have changed the system to navigate it is a recipe for never reaching the position from which change can be enacted.

The pattern is remarkably consistent across interviews and autobiographies: early career, high conformity — learning the norms, meeting the expectations, building the credibility. Mid-career, selective deviation — introducing elements of authentic self-expression as professional reputation provides the safety to do so. Senior career, norm-setting — using the position that conformity helped secure to expand what is acceptable, to hire people who do not look or present exactly as you did, to change the norms for those who follow. This is not a betrayal of principle. It is a sequence. It is the recognition that the power to change a system must be acquired before it can be exercised, and that acquiring it often requires operating within the system’s norms long enough to earn the authority to rewrite them.

The School Uniform Data

The school uniform debate provides a useful natural experiment, because it tests, in a controlled setting, whether standardizing presentation affects outcomes. The research is mixed but instructive. Studies of mandatory school uniform policies have found modest improvements in school climate, reductions in certain types of disciplinary incidents, and small positive effects on attendance. They have not found significant effects on academic achievement. The interpretation depends on what you expected. If you expected that changing clothes would change test scores, the data disappoints. If you expected that removing clothing as a source of social hierarchy, economic signaling, and dress-code enforcement would reduce the friction that these factors create, the data supports it.

For Black students specifically, the uniform eliminates one axis of discrimination — the assessment, by teachers and administrators, of a student’s character based on his clothing — while doing nothing about the other axes that remain. The student in the uniform is still Black. He is still subject to the implicit biases that produce racially disparate discipline. But he is no longer subject to the specific bias that attaches to sagging pants, or to the hoodie, or to any of the other clothing signals that trigger threat perception in observers who have been conditioned to associate certain Black presentation styles with danger. The uniform does not solve the problem. It removes one variable. And in a system where every variable counts, removing one is not nothing.

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Master the Game While Changing the Rules

Here is what I want to say to the twenty-two-year-old who is reading this and who has a job interview on Monday, and to the forty-five-year-old who is reading this and has spent twenty years code-switching and is tired, and to the sixty-year-old who is reading this and cannot understand why the young people will not just pull up their pants.

To the twenty-two-year-old: learn the codes. Not because they are just, but because they are real, and because understanding how they work gives you power that ignorance does not. Wear the suit to the interview. Learn the speech patterns of the environment. Observe what successful people in your target industry wear, how they speak, how they present, and calibrate your tatemae accordingly. This is not selling out. It is arming up. Every successful person in every culture in the history of the world has understood that presentation is a tool, and tools are to be used, not worshipped and not rejected. Your identity is not your outfit. Your authenticity is not your speech pattern. Your honne is intact regardless of what tatemae you deploy, and anyone who tells you otherwise is confusing the surface for the substance.

To the forty-five-year-old: your exhaustion is earned and it is valid. The cognitive and emotional cost of twenty years of code-switching is not nothing, and the frustration of performing in a system that was not designed for you is not weakness. But the performance got you where you are, and where you are is a position from which you can change the norms for those who follow. Use it. Hire the young person who does not present exactly as you did. Expand what “professional” looks like in your space. Be the senior person who makes it possible for the next generation to bring more of their honne into the workplace. That is not the abandonment of the strategy that got you here. It is its culmination.

To the sixty-year-old: your experience is real, and the connection you draw between your presentation and your success is not imaginary. But the world your grandchildren are navigating is different from the one you navigated, and the specific codes that worked for you may not be the codes that work for them. What transfers is not the suit. What transfers is the principle underneath the suit: that presentation is strategic, that context matters, that reading a room is a skill, and that the person who masters it has options that the person who refuses it does not. Teach the principle. Let them choose the application.

And to everyone: the goal is not to dress a certain way. The goal is to have the economic power, the professional standing, and the institutional influence to expand what is acceptable for everyone who comes after you. Appearance is the bridge to that power, not the destination. Walk across it. Arrive on the other side. And then widen the bridge so that the next person does not have to cross it in the exact shoes you wore. That is how the game is mastered and the rules are changed — not by refusing to play, which leaves you powerless, and not by playing without awareness, which leaves you captured, but by playing with the strategic clarity of a person who knows the difference between honne and tatemae, who uses both deliberately, and who never mistakes the mask for the face.